Visual Studies Major

Michelle Sullivan, the first student to declare the Visual Studies major
(photo: Jack Edinger)
A Major in Visual Studies will focus on, but will not be limited to, the following areas:
- visual literacy from antiquity to the contemporary;
- histories of technologies of visualization from antiquity to the present (ancient “pointing” systems, 16th “Century “camera obscura,” photography, television, avant-garde film and video, virtual reality, the Internet and Cyberspace;
- problems in scientific visualization from micro to macro imaging (thermal, X-Ray, Very Large Array, Hubble) to visualizing contagion, etc.);
- popular cultural products and practices from Roman spectacle and Byzantine dress codes to contemporary fashion, advertising, political cartoons, and industrial design;
- the body as performative of visual expression, experience, and culture;
- visualization of race, sex, gender, class, and trauma;
- exhibition and museum culture; and
- histories and theories of vision and visuality, including theories of the gaze, surveillance practices from the panopticon to satellites, and other forms of scopic regimes.
The Major in Visual Studies requires an introductory and capstone course: VISUALST 100D (Introduction to Visual Culture), which introduces students to the rhetoric of images and the broad scope of visual culture; VISUALST 200S (Theories of Visual Studies) is a capstone course focusing on advanced theories in Visual Studies and individual senior projects (which may be undertaken as theses or visual production).
- Major Bulletin Description
- Minor Bulletin Description
The Visual Studies major requires thirteen courses, at least eight of which must be at the 100-level or above. Courses required for the major include VISUALST 100D (Introduction to Visual Culture) and the capstone course VISUALST 200S (Theories of Visual Studies), as well as eleven additional courses to be divided as follows: 3 courses in Visual Studies (VISUALST); 2 courses in Art History (ARTHIST 69,70, or 71 [Survey Art] and one 100-level course); 2 courses in Visual Arts, ARTSVIS 54 [Introduction to Visual Practice] and one 100-level); and 4 previously approved cross-listed courses in any of the departments participating in this major.
A student is eligible for a Minor in Visual Studies (VISUALST) by taking five courses to be distributed as follows: any three courses at the 100 or 200-level in VISUALST and any two courses in any cross-listed discipline previously approved for the Visual Studies major.
“I became fascinated with visual studies fall 2007 while taking the course “Introduction to Visual Culture.” I’m really inspired by the way this multi-disciplinary field engages images within society and culture. Visual studies is the examination of all things visual, and what fascinates me the most is how applicable it is to understanding everything from fashion to biology to cultural anthropology to physics. Visual studies goes beyond what art history or any other major at Duke examines. It allows one to recognize, understand and, finally, subvert the visual constructs we encounter everyday in society. To me, it is imperative to gain the type of insight visual studies courses offer because it enables one to reexamine with a critical eye both academic subjects and images we face daily. I believe that in the future what is taught through Visual Studies will become an integral part of education itself, and I am very excited and proud to be a part of such a significant initiative.”
– Michelle Sullivan, Trinity ‘10
| Visual Studies course number | Course title |
| VISUALST 100D | Introduction to Visual Culture (Stiles) |
| VISUALST 150 | Roman Spectacle (Dillon) |
| VISUALST 154 | The Art of Medieval Southern Italy (Bruzelius) |
| VISUALST 156 | Pilgrimage and Tourism (Wharton) |
| VISUALST 157 | Netherlandish Art and Visual Culture in the 17th and 18th Century (Van Miegroet) |
| VISUALST 160 | Paris, a City and its Culture (McWilliam) |
| VISUALST 162 | Fascism and Visual Culture: Art, Power, Spectacle (Antliff) |
| VISUALST 166 | Cultural History of Graphic Reproduction (Powell) |
| VISUALST 172 | History of the Museum (Abe) |
| VISUALST 173 | Chinese Visual Culture (Abe) |
| VISUALST 175 | Contemporary Japanese Visual Culture (Weisenfeld) |
| VISUALST 180 | Feminism & Visual Culture (Stiles) |
| VISUALST 181 | Performance Art History and Theory (Stiles) |
| VISUALST 183 | History of the Televisual (Olson) |
| VISUALST 184S | Visual Cultures of Medicine (Olson) |
| VISUALST 189S | Topics in Visual Studies (staff) |
| VISUALST 190 | Topics in Visual Studies (staff) |
| VISUALST 191 | Digital Imaging (staff) |
| VISUALST 192 | Visual Form & Space (staff) |
| VISUALST 193 | Visual Culture & Photography (Rankin) |
| VISUALST 194 | Graphic Design: Theory & Practice (staff) |
| VISUALST 195 | Advanced Visual Practice (Lasch) |
| VISUALST 196S | The Photobook (Noland) |
| VISUALST 198A | Research Independent Study |
| VISUALST 198B | Independent Study |
| VISUALST 199A | Research Independent Study |
| VISUALST 199B | Independent Study |
| VISUALST 200S | Theories of Visual Studies (Abe or Stiles) |
| VISUALST 201S | Wired! New Representational Technologies (Bruzelius, Dillon, R. Brady) |
| VISUALST 205S | Representations of War (Dillon) |
| VISUALST 215S | From Caricature to Comic Strip (McWilliam) |
| VISUALST 220S | Harlem Renaissance (Powell) |
| VISUALST 221S | Black Visual Theory (Powell) |
| VISUALST 225S | Latin American Modernism and Visual Culture (Gabara) |
| VISUALST 230S | Trauma in Art, Literature, Film and Visual Culture (Stiles) |
| VISUALST 231S | Spatial Practices (Wharton) |
| VISUALST 235S | Poverty of the Visual (Lasch) |
| VISUALST 260S | Topics in Visual Studies (staff) |
| VISUALST 298A | Research Independent Study |
| VISUALST 298B | Independent Study |
| VISUALST 299A | Research Independent Study |
| VISUALST 299B | Independent Study |
